Friday, 24 January 2014

Authentic and Modern

After a long resting period, here I am again, to spread my African colours through the world.
I realized that, ethnic prints will always be a fashion statement, no matter where or when. They are a visual expression  of what is authentic, popular and multicultural. Whoever lives connected with his inner self is able to let ethnicity be a part of their lives.
African textiles, being able to establish a sense of identity, can also produce stylish trends, most appreciated in multicultural complex societies.
I hope my creations serve as an inspiration to those who seek something different and stylish!
Take care my friends!


Wednesday, 29 May 2013

Sigh

After months of frenetic activity, finally, things seem to come in to  place! Website created, lots of handles bought to make beautiful handbags. Although i still miss the substance..., real capulanas, I urgently need to get these rarities to put my hands into artistic creation. I hope you are following my adventure in this particular new world and hope you are enjoying too! See you soon with new designs inspired by mother Africa :-)

ps. if you wish visit my website on www.ethike.net

Tuesday, 30 April 2013

Social fabric African textiles today - Textiles of southern and eastern Africa - THE BRITISH MUSEUM



The rich fabric of African printed and factory-woven textiles reflects changing times, fashions and tastes. From eastern to southern Africa, the social and historical significance of these beautiful and diverse materials are also reflected in the identities of those who wear them.
This exhibition takes a fresh look at the history, manufacture and continuing social significance of these textiles – the designs of which depict the convergence of African tastes and patronage with strong historical and contemporary trading ties from across the globe. The cultural and social significance of these textiles have also influenced some of the region’s foremost contemporary artists and photographers – including Georgia Papageorge, Karel Nel, Peterson Kamwathi and Araminta de Clermont.
These textiles – including kanga from Kenya and Tanzania, capulana from Mozambique, and shweshwe from southern Africa – mirror changing times, fashions and tastes. They provide a detailed chronology of the social, political, religious, emotional and sexual concerns of the (mainly) women who wear them. Their patterns and inscriptions also vary according to the age of the wearer and the context in which the cloth is worn. This unspoken language may be used to suggest thoughts and feelings which cannot be spoken. They are worn in secular and sacred contexts and play a central role in all of the major rite-of-passage ceremonies in women’s and, in some cases, men’s lives.
The exhibition contributes to the small but steadily growing body of research into these relatively neglected African textile traditions.

BLUE FLOWER MAXI SKIRT&Lulaby handbag